A.R. Rahman ‘Ramayana’ Song Sparks Debate Over Qawwali Influences
A.R. Rahman latest composition, ‘Mangal Rang’, from the upcoming epic film Ramayana: Rise of a Legend has sparked a heated debate on social media. Released on October 25, 2026, the song celebrates the wedding of Lord Rama and Goddess Sita. However, its musical style has divided listeners, with some questioning the perceived qawwali and Sufi influences in a film based on the Hindu epic.
The song features vocals by Arijit Singh and Shreya Ghoshal, with lyrics written by Kumar Vishwas and music composed by A.R. Rahman. Ranbir Kapoor portrays Lord Rama, while Sai Pallavi plays Goddess Sita in the film.
Why Has ‘Mangal Rang’ Sparked Controversy?
Shortly after its release, several social media users began discussing the song’s musical arrangement. Some listeners argued that its chorus, rhythm and overall composition sounded similar to qawwali and Sufi music.
Others questioned whether this musical approach suited a cinematic adaptation of the Ramayana. Some viewers expressed a preference for traditional Indian instruments and devotional musical elements that they felt would better reflect the epic’s cultural and spiritual setting.
However, these reactions represent individual opinions about the song’s style rather than an established conclusion about its musical influences.
Listeners Compare the Song With A.R. Rahman Earlier Compositions
Another major talking point has been the comparison between ‘Mangal Rang’ and Rahman’s previous musical works.
Some listeners have drawn parallels with ‘Kun Faya Kun’ from the 2011 film Rockstar, starring Ranbir Kapoor. Others have compared elements of the new track with Rahman’s Tamil song ‘Enna Solla Pogirai’ from Kandukondain Kandukondain.
Critics have questioned whether the composition sounds too familiar and whether a different musical direction might have been more suitable for the epic.
At the same time, the comparisons have fuelled a broader conversation about artistic experimentation, musical traditions and audience expectations for films based on religious and historical stories.
A.R. Rahman Responds to the Criticism
Amid the online debate, Rahman has spoken about his approach to composing music for Ramayana. He explained that he and his team devote considerable time to developing, refining and testing their work before presenting it to audiences.
The composer said he focuses on the creative process rather than constantly monitoring online reactions. He also emphasised that working on a story as widely recognised as the Ramayana is both an honour and a significant responsibility.
Rahman noted that the songs have been developed in five languages, reflecting the film’s ambition to reach audiences across India and internationally.
His response highlights his belief in artistic experimentation and the importance of approaching each project with sincerity.
Ramayana Music Becomes a Major Talking Point
The controversy surrounding ‘Mangal Rang’ has brought renewed attention to the film’s soundtrack ahead of its theatrical release.
For some viewers, music inspired by different Indian traditions can create a distinctive cinematic experience. Others believe that a story with deep religious and cultural significance requires a musical style that closely reflects its traditional setting.
The debate demonstrates how music can influence audience expectations, particularly when filmmakers adapt stories that hold an important place in Indian cultural life.
Whether listeners ultimately embrace ‘Mangal Rang’ or continue to debate its musical direction, the song has generated considerable discussion ahead of the film’s arrival in cinemas.
About Ramayana: Rise of a Legend
Directed by Nitesh Tiwari and produced by Namit Malhotra, Ramayana: Rise of a Legend is an ambitious cinematic adaptation of the ancient Indian epic.
The film features Ranbir Kapoor as Lord Rama, Sai Pallavi as Goddess Sita, Yash as Ravana and Sunny Deol as Lord Hanuman. Ravie Dubey also appears as Lakshman.
The project brings together a prominent cast and an international creative team. A.R. Rahman is collaborating with renowned German film composer Hans Zimmer on the music for the epic.
The first instalment is scheduled for a worldwide theatrical release on November 5, 2026, with the second part planned for Diwali 2027. Expectations remain high as audiences await the film’s presentation of one of India’s most celebrated epics.
Also Read This- Ranbir Kapoor and Sai Pallavi Shine at Ramayana Event
Conclusion
A.R. Rahman Mangal Rang’ has become a subject of debate because of its perceived qawwali and Sufi influences. While some listeners have criticised the musical direction, others may appreciate the composer’s attempt to explore different sounds. The discussion highlights the challenge of balancing creative freedom with audience expectations when making films based on culturally significant stories.
